The most popular style of home
during the Victorian era was the Italianate.
Consisting of nearly-flat roofs, wide eaves
and massive brackets.
The Italianate style is also known as Tuscan,
Lombard, or bracketed.
Although it sounds as if
the style originated in Italy,
it actually began in England with the
picturesque movement of the 1840's.
When the Italianate style moved to
the United States, it was reinterpreted
to create a uniquely American style.
I've noticed the homes they're building
today, in my neighborhood,
are all sided with pastel colors;
only the homeowners without siding on
their homes paint with these bold colors.
This is particularly true in the
There are many homes originating in the mid-1600's.
Most of them are still standing straight.
I never noticed the uniqueness of
structures until recently.
Researching this subject matter
while painting it, allows me to stay
focused on this theme while learning
about the architecture of these amazing homes.
It is quite interesting.Comment on or Share this Article →
Painting a straight line.
Some people will tell you not to use straight lines
in a painting however, I find straight lines very useful
with my style of painting.
When portraying any architecture,
especially older homes,
I often need straight lines for
window trim, side trim, eaves and door trim.
Sometimes I'll even line up a piece of masking tape
on the edge and just nick my paintbrush along the edge of the tape.
Immediately pull the tape off.
Other times, I'll use the edge of a ruler,
held at a 45 degree angle, and run my
brush ferrule along the edge of that.
Most of the time,
I don't want to use any instrument for my lines,
as I want to finish the painting in
a reasonable amount of time.
I am a firm believer that if you practice something
long enough, eventually, you'll get there.
So, one of the most valuable teachings
I've learned is when you want to draw
or paint a straight line . . .
look beyond the line as you're painting it.
In other words,
don't look at the place you are -
look AHEAD of the place you are.
Keep your eye one step ahead of your line.
Sounds a bit like life doesn't it?
It makes sense.
Look at where you want to go - NOT where you are.
About the Painting
There are so many clever
little garden ornaments at this residence.
The home is also painted
in this very illustrative color,
it looks like a dollhouse.Comment on or Share this Article →
Living in the oldest settled town in Connecticut,
has given me access to many quaint old homes
for my paintings.
Researching the home structures
has been more rewarding than I could have imagined.
There are many Colonial style homes.
The Georgian Colonial is characterized by
the 5 windows in the front of the home (not shown in this painting)
and flattened columns at the sides of the front door.Comment on or Share this Article →
Original gouache painting.
Nitpick - to be excessively concerned
with or critical of inconsequential details.
That's me working on this painting!
When the finishing touches were
placed on this painting . . .
More finishing touches were
added to this painting.
"Art is never finished, only abandoned."
Leonardo da Vinci
I reached a point where there were
no more folds or wrinkles in the paper to paint.
The pink was as pink as it was going to get.
After purchasing three different tubes
of pink, (Winsor and Newton and DaVinci)
I remembered an art teacher
who said pink and purple were very difficult to match.
They are certainly difficult to match,
however, that should not stop us from attempting
to paint these beautiful colors.Comment on or Share this Article →
A gold-fish that really is gold.
The artwork is in gouache.
The model is folded with gold origami paper.
Gold is a lot trickier to paint
than it might look.
It's dark with very contrasting
light, bright highlights.
Without that contrast in value,
the gold looses its luster.
There is a shine to the gold paper.
Whenever I would move slightly,
the highlights and shadows would move.
I could have taken a photo of it,
however I want to train my brain
to see what's in front of me.
Perhaps that way, in the future,
each drawing and painting will become
easier to process and progress.
I believe painting this shiny surface
was great value recognition practice.Comment on or Share this Article →
This is the view from
a hill at Hilltop Farm
in Suffield, Connecticut.
Using warm colors and
a wide horizontal format,
I tried to create a tranquil feeling.
The large tree on the left
and the grass in the foreground
were painted dark, while the
center part of the artwork
was kept light and airy.
This was my attempt to create
a feeling of depth.
Comment on or Share this Article →
These mischievous goats
live on the Griffin Farmstead
in East Granby, Connecticut.
They are dairy goats
and their milk makes
very tasty chèvre cheese.
Chèvre is a French word for
cheese made with the milk of goats.Comment on or Share this Article →
commonly known as hollyhocks,
This means they have a short,
two-year life cycle.
Often hollyhocks drop their seeds
on the ground producing new plants
where the seeds fall. (self-sow)
Hollyhocks can easily reach 8 feet tall.
Flower colors range from white to dark red,
including pink, yellow and orange.
This artwork portrays the
Chaters Double Yellow Hollyhock.
"Double Yellow Hollyhock"
was constructed using
stained glass, recycled glass mini tiles
and mosaic smalti.
I wanted to experiment with
different textures in my mosaic piece.
I think the flatness of the stained glass
compliments the texture of
the mosaic smalti.
The smalti gives the illusion of
small hollyhock petals.Comment on or Share this Article →
Approximately 3,800 mosaic smalti
pieces of glass have been
clipped and nipped
to create this springtime scene
in New England.
This piece is a bit more colorful
than previous smalti creations.
I purposefully placed
greens against the reds and pinks
to increase a complementary color pop.
Emphasis is on the
large crabapple tree
on the left.
Lighter colors behind
the darker tree on the left
provide a bit of depth.Comment on or Share this Article →
Mosaic smalti creates the setting
for a landscape consisting of a grand old tree
in the mist of a gloomy morning.
It is very difficult to create a mist effect
using mosaic smalti, as you can not blend colors
to create the softness of mist.
Colors are chosen that are close in value
and then set next to each other.
This produces a gradual effect.
Comment on or Share this Article →
Also mosaic tiles are solid color,
and one can only chose from
the available palette.
By using darker colors, which come forward,
it is possible to create depth.